建筑設(shè)計(jì)：Rodeo建筑師事務(wù)所

富魯塞特圖書館和活動(dòng)中心，奧斯陸，挪威

建筑設(shè)計(jì)：Rodeo建筑師事務(wù)所

Rodeo建筑事務(wù)所是由建筑師、規(guī)劃師和社會(huì)科學(xué)家組成的事務(wù)所。憑借這種跨學(xué)科的方式，事務(wù)所被奧斯陸文化事務(wù)署和阿爾納區(qū)政府選中，為富魯塞特圖書館的新擴(kuò)建提出概念。這座圖書館和社區(qū)中心位于格羅魯?shù)鹿戎械陌柤{區(qū)——奧斯陸社會(huì)經(jīng)濟(jì)最多元化的區(qū)域之一。

無論單戶家庭、橋梁還是辦公建筑，Rodeo建筑事務(wù)所都會(huì)探索并重視項(xiàng)目的社區(qū)問題。這種社區(qū)視角是策劃和維護(hù)文化舞臺(tái)最重要的一個(gè)方面。富魯塞特圖書館暨活動(dòng)中心（FUBIAK）通過低成本的翻修將圖書館改造為奧斯陸最受歡迎的地方文化機(jī)構(gòu)。項(xiàng)目的最初目的是將多種市級(jí)公共活動(dòng)匯于一地。這一過程的大部分都集中在讓潛在的用戶群體來參與，讓他們聚集到有限的區(qū)域中，為中心創(chuàng)造共同的愿景。這就是FUBIAK的優(yōu)勢(shì)：設(shè)計(jì)的過程不僅關(guān)注物質(zhì)形式，還分析社會(huì)問題和政治管理目標(biāo)。多元化群體的需求合理地同實(shí)用功能與休閑娛樂結(jié)合在一起。FUBIAK大受歡迎，這表明建筑無法簡(jiǎn)化為純粹的形式，而是在成為一種社會(huì)與政治的過程時(shí)才最有效力。

FUBIAK在兩層共1500m2的空間中包括圖書館、青年俱樂部、研習(xí)中心、志愿服務(wù)、劇場(chǎng)、錄音工作室、會(huì)議室、廚房和咖啡廳。這座中心包含了從地方政治會(huì)議到有組織的社工輔導(dǎo)、舞蹈排練和嘻哈表演等多項(xiàng)功能。

該項(xiàng)目將1990年代平凡的辦公建筑改造成活動(dòng)中心，讓多種功能和用戶群相互融合，創(chuàng)造出格羅魯?shù)鹿戎匾姆巧虡I(yè)集會(huì)空間以及學(xué)習(xí)整合的平臺(tái)。FUBIAK于2016年3月向公眾開放。（尚晉 譯）

項(xiàng)目信息/Credits and Data

客戶/Client: Etasbygg AS, District of Alna and Agency for Cultural Affairs Oslo

地點(diǎn)/Location: Trygve Lies plass 1, Furuset, Oslo, Norway設(shè)計(jì)團(tuán)隊(duì)/Design Team: Ivar Lyngner, J?rn Are Vigestad Berge, Christian Birkeli-Gauss, Kenneth Dahlgren

建筑面積/Floor Area: 1500m2

造價(jià)/Cost: 16,000,000 NOK（不含稅/ex VAT, 2015）

設(shè)計(jì)時(shí)間/Design Period: 2013-2015

建成時(shí)間/Completion Time: 2016.03

攝影/Photos: Marco Heyda (fig.1,10,11), Carsten Aniksdal (fig.2,3), Sverre Chr. Jarild(fig.6,8,9,12,13)

1 內(nèi)景/Interior view

Rodeo Architects is a practice consisting of architects, urbanists, and social scientists. Based on this interdisciplinary approach the office was selected by the Oslo Agency for Cultural Affairs and District of Alna to develop a concept for a new extended library at Furuset. The library and community centre is located in the district of Alna in Groruddalen, one of the most socio-economically diverse areas of Oslo.

Whether it is a single-family house, a bridge or an office building, Rodeo Architects always look for and focus on the communal dimension to a project. This community perspective is one of the most important aspects of planning and maintaining a cultural arena. Furuset Library and Activity Centre, FUBIAK, was a low-cost refurbishment that has turned the library into one of the most visited local cultural institutions in Oslo. The initial aim of the project was to collect a number of municipal public activities under one roof. A significant part of the process centred on involving prospective user groups, preparing them for cohabitation on a limited area, and establishing a common vision for the centre. This is FUBIAK's strength: the design process was not just one of physical form, but also one of analysis of social issues and political-administrative intents, where the needs of a diverse set of groups were causally connected to a physical program and amenities. The popularity of FUBIAK is indicative of how architecture cannot be diminished to pure form, but is at its most potential when conceived of as a social as well as a political process.

FUBIAK consists of 1500 square metres of library, youth club, learning centre, voluntary services, a theatre, recording studio, meeting rooms, kitchen and café, on two levels. The centre houses everything from local political meetings to organised homework tutoring, dance recitals, and hip-hop performances.

The project has transformed a mediocre 1990s office building into an activity centre where a variety of programs and user groups are set to intermingle, creating an important non-commercial meeting place and platform for learning and integration in Groruddalen. FUBIAK was opened to the public in March 2016.

2 外景/Exterior view

3 內(nèi)景/Interior view

評(píng)論

王韜：挪威建筑中的社會(huì)性是與巨大室外廣告般的消費(fèi)社會(huì)建筑形象完全不同的取向，保有現(xiàn)代主義之初的社會(huì)理想。如同Rodeo事務(wù)所宣稱，這個(gè)項(xiàng)目中重要的不是建筑形式問題，而是建筑如何影響社會(huì)和政治過程。他們通過一個(gè)舊建筑改造項(xiàng)目，將盡可能多的社區(qū)活動(dòng)和不同的群體容納在一個(gè)共同空間之中，為社區(qū)提供了一個(gè)巨大的公共容器，使不同的人群在這里既各得其所，又能相互碰撞。建筑在這里成為了社區(qū)價(jià)值而非經(jīng)濟(jì)沖動(dòng)的具象呈現(xiàn)，誰說當(dāng)下建筑已經(jīng)失去了其社會(huì)抱負(fù)？

賈冬婷：社區(qū)文化中心需要滿足各個(gè)年齡和階層人群的多種功能需求。難點(diǎn)在于，一方面要將某類人群的某種功能限定在特定空間里，形成聚集性和歸屬感，另一方面，還要保證人群的自由選擇和活動(dòng)轉(zhuǎn)換。建筑師很好地實(shí)現(xiàn)了這兩者間的平衡。除幾個(gè)玻璃圍合的小型會(huì)議室之外，整個(gè)社區(qū)中心幾乎沒有封閉空間，最大程度上使自由選擇成為可能。一定程度上的功能限定則采用彈性手法，比如閱讀區(qū)等靜態(tài)區(qū)域，采用半圍合空間、中性色調(diào)；而集會(huì)、游樂等動(dòng)態(tài)區(qū)域，則采用更明快的配色、更夸張的造型來引導(dǎo)人群聚合。

4 首層平面/Ground floor plan

5 二層平面/1st floor plan1-門廳和閱讀室/Foyer and reading2-報(bào)刊角/Newspaper corner3-樓梯和電梯/Stair and elevator4-集體空間/Group space5-行政/Administration6-教學(xué)/多功能/Teaching/Multi-use7-閱讀洞穴/Reading caves8-公用空間/Communal space9-電影中心/Cinematheke10-咖啡廳/Café11-廚房/Kitchen12-舞蹈工作室/Dance studio13-音樂工作室/Music studio14-游戲室/Gaming room

6 使用者與室內(nèi)空間/Users and the interior

7 剖面/Section

8.9 使用者與室內(nèi)空間/Users and the interior

10 內(nèi)景/Interior view

Comment

WANG Tao: The sociality of the architecture in Norway is a totally different tendency from the architectural image in consumer society like huge outdoor advertising. It contains the social ideals from the beginning of modernism. As Rodeo Architects claims: it's not the architectural form, but how architecture affects social and political processes that matters. Through an old building renovation project, they accommodated as much as possible community activities and different social groups in one common space, and provided a huge public container for the community, so that different people here can find their own place and interact with each other in the same time. Architecture has become a representation of the value of community rather than the economic impulse. Who said that architecture today has lost its social aspirations? (Translated by CHEN Yuxiao)

JIA Dongting: A community cultural centre is expected to meet the needs of people of all ages and from every walk of life with different functions. On the one hand, the centre needs to serve as a particular space with a specific function for certain people, creating a sense of group identity and belonging. On the other hand, it is also required to offer visitors the flexibility to choose their preferred spaces for different activities. The architects have struck a perfect balance between these two. Apart from a few small glass-walled meeting rooms, the entire community centre merely retains enclosed spaces, which maximises the flexibility for visitors. Flexible solutions are employed in the division of functional areas: static areas, including the reading area, are semi-closed spaces with a neutral colour; whilst dynamic spaces, such as the meeting or recreation area, feature a bold design with a brighter colour in order to lead people to gather together. (Translated by Dandan Wang)

Furuset Library and Activity Centre (FUBIAK), Oslo, Norway, 2016

Architects: Rodeo Architects

11 內(nèi)景/Interior view