本期的《熱點人物》欄目，我們推薦的是鄔建安先生，他白日夢式的創(chuàng)作為我們在紅塵俗世之中構(gòu)筑起了藝術(shù)的夢幻森林。

《展覽現(xiàn)場》欄目則以推薦近期的新媒體展覽為切入點，我們在“碎片時代”，仍不忘“就地起舞”，“萬丈高樓平地起”處，藝術(shù)的紐帶不覺已經(jīng)形成。

本期的《藝術(shù)論壇》欄目中，劉世潔的《另類準則》，閆雪峰的《當代藝術(shù)的資本化》，都是對當下藝術(shù)問題最積極主動的思考，我們希望類似的探討文章能夠越來越豐富起來。

本期的《理論研究》欄目仍以推介那些聯(lián)系當下藝術(shù)現(xiàn)實、教育現(xiàn)實，尤其是探討新媒體介入的文章為主，我刊新媒體藝術(shù)專號設(shè)立兩年來，相關(guān)來稿逐漸多樣化，我們希望這里能真正成為當代新媒體研究者的一個重要園地。

天津美術(shù)學院學報執(zhí)行主編 邵亮

2017年6月

[ Editorial ]

In Hotspot Figures, we introduce Mr. Wu Jian’an, whose daydream-like creation reveals to us a dream forest of art in this secular world.

In Exhibition Reviews, we examine recent new media exhibitions. In this age of “Fragmentation”, we still have not forgotten to engage in “On Site Impromptus”, and “The Bond of Arts” have formed unconsciously where“the loftiest towers rise from the ground” (the theme of the Second Changjiang International Photography & Video Biennale).

In Forum on Art, Liu Shijie’s “Other Criteria” and Yan Xuefeng’s “Is Contemporary Chinese Art Getting Capitalized?” provide the most rigorous concerns about present-day art issues. Hopefully, we could have more similar probing articles like these.

Theoretical Research of this issue includes papers addressing art reality, educational reality, especially new media engagement. We have received diversified papers in the past two years since our special issue on new media art was launched, which, we hope, will become an important academic center for researchers in this field.

Shao Liang, executive chief editor of Journal of Tianjin Academy of Fine Arts

June 2017