作品類(lèi)別 Category:娛樂(lè)空間設(shè)計(jì) Recreational Space Design

獲獎(jiǎng)?wù)?Designer:[中國(guó) China] 邵龍 Shao Long

本案設(shè)計(jì)師的靈感來(lái)自于洞穴，在預(yù)算極其有限的情況下舍棄GRG，洞穴的搭建是項(xiàng)目施工的難點(diǎn)之一，設(shè)計(jì)師需先用rhino 建構(gòu)虛擬模型后，將形體的三維數(shù)據(jù)通過(guò)CAD 分割曲面，再由工人現(xiàn)場(chǎng)制作完成，在形體曲面背側(cè)，施工人員沿曲線環(huán)向和徑向搭建框架懸吊固定這些版塊，最后完成形體構(gòu)建。

Inspired by caves,the designer abandoned GRG as the budget was very limited.Cave construction was a challenge of the project.The designer used Rhino to construct a virtual model and CAD to carve out curvatures from the 3D data of the shape.The curvatures were then made by workers on site.On the backs of the curvatures,they built frames circumferentially and radially along the curves to fix the blocks.The shape was finally brought into reality.

無(wú)序創(chuàng)造有序，有序被無(wú)序打破。表演藝術(shù)解構(gòu)了時(shí)間，空間，材質(zhì)及能量的關(guān)系，空間是舞臺(tái)也是行為，設(shè)計(jì)師擯棄對(duì)空間的文化注入，將即興的創(chuàng)作方式盡興演繹?？臻g與思緒共舞，而身與空間的所有人，都被邀請(qǐng)參與了這場(chǎng)演出，從而形成規(guī)律與自由并存的動(dòng)態(tài)秩序。最初為解決內(nèi)部?jī)蓪咏Y(jié)構(gòu)引致的層高局限，設(shè)計(jì)師選擇局部搭建的形態(tài)，從而豐富了空間視角，將空間形態(tài)二次演繹。

Disorder creates order and order is broken by disorder.Performance art deconstructs the relationships among time,space,materials and energy.Space is both a stage and a behavior.Instead of injecting cultural elements into space,the designer gives full play to impromptu creation.While space interacts with thinking,everyone in the space is invited to partake in the performance,thus forming a dynamic order with both regulation and freedom.To counter the floor height limit caused by the two-floor structure at the beginning,the designer chose a form of local structure.It enriches spatial perspectives and gives a fresh look to the spatial formation.

設(shè)計(jì)是一個(gè)兼具感性與理性的思考過(guò)程，將最初在腦海中抽象的甚至是模糊的畫(huà)面放到空間中思考，突破已有的認(rèn)知局限，逐漸清晰地構(gòu)筑出一個(gè)完整真實(shí)的畫(huà)面。通過(guò)對(duì)傳統(tǒng)工藝的探索，在審慎的修飾下尋找秩序，使物質(zhì)與感官彼此呼應(yīng)產(chǎn)生共鳴。入口處，中間斷開(kāi)的縫隙由“峽谷”引申而來(lái)，如同巖壁上的溝壑，營(yíng)造了從峽谷走進(jìn)洞穴的新奇體驗(yàn)，直到通過(guò)狹窄的裂縫看到所有的事物，在已知和未知的兩端，打開(kāi)自我的感知之門(mén)。

Design is a thinking process that is both emotional and rational.The designer takes the abstract and even blurred image out of his mind into the space,breaks through the boundary of his knowledge,and gradually constructs a complete and authentic image.By exploring traditional techniques,the designer seeks order in prudent decoration to achieve material and sensory resonance.At the entrance,the crack in the middle is inspired from “canyons”.Like ditches on rock faces,it creates a novel experience of entering a cave.From the end of “unknown” to that of “known”,the user passes the narrow crack,sees everything and opens the door to self-perception.

設(shè)計(jì)在方法、材料層面拆解重組，通過(guò)傳統(tǒng)材質(zhì)的應(yīng)用，賦予舊元素以全新的語(yǔ)言，制造不同的空間體驗(yàn)，形體表面的傳統(tǒng)金屬漆帶來(lái)的視覺(jué)沖擊，被極大地釋放，以不同曲面，巧妙的分隔空間，從堆疊、圍合形態(tài)到色彩，在有序中賦予變化。

The design seeks to break down and reorganize elements at methodological and material levels.Through the application of traditional materials,a new language is given to old elements to create different spatial experience.The visual impact is dramatically unleashed from the traditional metal paint coating the surface of the shape.Varied curvatures partition space in a smart way.From shapes such as stacking and enclosure to colors,changes are allowed amid an orderly arrangement.