作品類別 Category:交通空間設(shè)計(jì) Traffic Space Design

獲獎(jiǎng)單位 Design Company:[澳大利亞 Australia] Denton Corker Marshall Pty Ltd.

霍巴特的紀(jì)念橋連接了該市兩個(gè)最重要的公共空間——皇后區(qū)的紀(jì)念碑和士兵紀(jì)念大道。這座200米長的橋梁是一座優(yōu)雅的扭曲平面，連接了通往霍巴特的寬闊公路的兩側(cè)，為城市提供了一個(gè)獨(dú)特的入口。這座4 米寬的橋從地面上露出，形成一個(gè)有棱角的金屬碎片，在坡道底部形成垂直的擋土墻。飛機(jī)慢慢向后傾斜，在Anzac 閱兵結(jié)束時(shí)瞬間達(dá)到水平位置，然后繼續(xù)扭轉(zhuǎn)，慢慢上升到接近垂直位置，在西側(cè)終止。

The Bridge of Remembrance in Hobart links two of the city’s most significant public spaces– the Cenotaph and Soldiers Memorial Avenue on the Queens Domain.

An elegant,twisting plane,the 200-metre-long bridge connects both sides of the broad highway entering Hobart,providing a distinctive entry portal to the city.The four-metre-wide bridge emerges from the ground as an angular shard of metal,forming the vertical retaining wall at the base of the ramp.The plane slowly leans back,momentarily reaching a horizontal position at the end of Anzac Parade,before continuing to twist and slowly rising to near vertical as it terminates on the western side.

橋梁設(shè)計(jì)在形式和材料上體現(xiàn)了場地的雙重性。兩架飛機(jī)相互呼應(yīng)，平行扭轉(zhuǎn)，位于橋面兩側(cè)。這種二元性和對比度在夜間得到加強(qiáng)，功能性和特色照明策略照亮了較亮的“內(nèi)部”表面，同時(shí)將較暗的拱腹留在陰影中。

The bridge design responds to the duality of the site in form and materials.The two planes echo each other,twisting in parallel and flanking the bridge deck.This duality and contrast is reinforced at night,with the functional and feature lighting strategy illuminating the lighter,‘internal’ surface,while leaving the darker soffit in shadow.

該設(shè)計(jì)尊重敏感的文化遺產(chǎn)和現(xiàn)場的環(huán)境價(jià)值。它優(yōu)雅而內(nèi)斂，同時(shí)可以接受多種解釋，為人們提供了身體和精神上的停頓和反思空間。橋梁的抽象形式有助于多重解讀。這使得意義的多樣性取決于觀察者?？勺x入配置文件的潛在關(guān)聯(lián)包括：；光滑的船頭，反映了驕傲的塔斯馬尼亞海上傳統(tǒng)；塔斯馬尼亞海岸線或起伏山丘的曲率；或者加利波利劃船公司的簡介。

The design is respectful to the sensitive cultural heritage and environmental values of the site.It is elegant and restrained while being open to multiple interpretations,providing the space,physically and mentally,for people to pause and reflect.

用戶體驗(yàn)已經(jīng)過仔細(xì)考慮。從西面靠近時(shí)，兩個(gè)三角形的輪廓或翅膀在樹之間升起，標(biāo)志著前進(jìn)的方向。當(dāng)使用者登上橋臺(tái)時(shí)，兩翼在他們面前站崗。在高地的頂部，紀(jì)念碑由側(cè)翼構(gòu)成，當(dāng)使用者通過時(shí)，紀(jì)念碑向后折疊，展現(xiàn)了該地區(qū)和城市更廣闊的視野。在路線中間，機(jī)翼的平坦輪廓形成了一個(gè)自然的停頓點(diǎn)，與紀(jì)念碑形成了對比。坡道的盡頭距離永恒圣火和紀(jì)念碑有一段尊重的距離，同時(shí)仍然允許用戶參與這一重要的紀(jì)念場所。

The abstract form of the bridge lends itself to multiple readings and interpretations.This allows diversity of meaning,depending upon the observer.Potential associations that can be read into the profile include;the sleek prow of a ship,reflecting the proud Tasmanian maritime tradition;the curvature of the Tasmanian shoreline or rolling hills;or the profile of Gallipoli row boats.

AUD11M 大橋由澳大利亞政府的Anzac 百年藝術(shù)和文化基金資助，為霍巴特市提供服務(wù)，紀(jì)念第一次世界大戰(zhàn)一百周年，在連接皇后區(qū)、激活鄰近地區(qū)和未來發(fā)展方面發(fā)揮著關(guān)鍵作用。

The user experience has been carefully considered.Approaching from the west,two triangular profiles or wings rise between the trees,marking the way forward.As the user ascends the abutment,the two wings stand sentinel before them.At the top of the rise,the Cenotaph is framed by the flanking wings and as the user passes through,they fold back revealing the broader views of the Domain and the city beyond.Midway along the route,the flat profile of the wings creates a natural pause point and a counterpoint to the Cenotaph.The end of the ramp is a respectful distance from the Eternal Flame and Cenotaph,while still allowing the user to be engaged with this important commemorative site.

Funded by the Australian Government’s Anzac Centenary Arts and Culture Fund and delivered for the City of Hobart,the AUD11M Bridge commemorates the centenary of the First World War,plays a critical role in linking the Queens Domain and activates adjacent areas and future developments.