作品類別 Category:文化空間設(shè)計 Cultural Space Design

獲獎單位 Design Company:[西班牙 Spain] LUIS MARIA URIARTE

設(shè)計對象的插入與不同因素的融合發(fā)生碰撞：突出的圣尼古拉斯教堂、鄰近的廣場、老市政廳附樓、周圍錯綜復(fù)雜的住宅、電信大樓粗糙的界墻、兩條傾斜交叉的當(dāng)?shù)貥?biāo)志性干道。所有這些元素都融入這道具有濃厚的社會和文化內(nèi)涵的獨(dú)特風(fēng)景線。

The insertion of the designed object clashes with the convergence of different factors:the outstanding presence of Saint Nichola's church and the adjoining plaza with the annex building of the former town hall,the intricate identity of the residential volumes around,the harsh party Wall of the telecommunications building and the oblique crossing of two marked local arteries.They are all joined together on this singular scenery of intense social and cultural connotations.

現(xiàn)有的整體構(gòu)成了一個朝南面向海灣和畢爾巴鄂港口的露臺，上面要坐滿興致勃勃的觀眾。因此，最為重要的是如何針對綜合體所需的功能來排布建筑結(jié)構(gòu)。

As a whole,the existing ensemble constitutes a balcony facing south to the Bay and the port of Bilbao (the Abra),crowded with a concerned audience.Thus,the arrangement of the containers for the complex required programme acquires maximal importance.

建筑的天際線展示了最后的一個寶貴機(jī)會，一扇打開的空閑窗戶在激烈的競爭中掙扎著：它的位置隨即被新禮堂的上升門廳以一種自然的方式取代。既要考慮周圍多樣化的需求，又要兼顧其中蘊(yùn)含的擁擠功能不斷擴(kuò)大的沖力，最終產(chǎn)生了這些抑或可見抑或隱藏的建筑體量。

Its skyline shows a last and precious opportunity,an open unoccupied window struggling across the fierce competition:in a natural way,its place is immediately taken by the ascending foyer of the new Auditórium.The volumes,both visible and hidden,are the result of the balance between the diverse surrounding requests and the expanding impulse of the crowded programming they contain.

因此，禮堂的主體量向毗鄰的西班牙電信大樓消音界墻傾斜，而獨(dú)立的較小體量作為市政音樂學(xué)校，根據(jù)周圍住宅環(huán)境的規(guī)模對其調(diào)整，淡化了對綜合體的視覺感受。這個體量還包括通往禮堂的主入口和后面由上升的門廳產(chǎn)生的新的開放空間，它被設(shè)想為一個通往大廳不同通道層面的巨大支架，同時還提供全景視野，向畢爾巴鄂港口彰顯著建筑的存在。

So,the main volume of the Auditórium leans onto the mute party Wall of the adjoining Telefonica building,whereas the free standing smaller one,hosting the Municipal Music School,is adjusted to the scale of the residential surroundings,thus lightening the visual perception of the complex.This volume also covers the main Access to the Auditórium and the new open space generated behind by the ascending foyer,which is conceived as a great scaffolding to give access to the different Access levels to the hall,while providing a panoramic view and showing its own presence to the Abra.

建筑立面的平板玻璃構(gòu)成了雙層體系，從內(nèi)部插入結(jié)構(gòu)性支撐，由鍍鋅裝置固定。在南面，它是熱調(diào)節(jié)的通風(fēng)設(shè)備，在北面，它則是一個聲校正裝置。建筑立面包覆采用指形接合橡木板系統(tǒng)（參照40×20 厘米的標(biāo)準(zhǔn)配置），優(yōu)化為兩個部分（對角切開），發(fā)揮散熱功能，作為獨(dú)特的實地印象延伸至整個建筑。

The flat glazings on the facade makes a doublé-lay system which inserts its structural buttress from within,fixed by galvanised mechanisms.In the southern face,it acts as a ventilation device for thermal regulation and,in the northern one,as an accoustic correction mechanism.The wrapping is generated by the adoption of an oak finger-joint wooden slats system (drawn from the 40x20 cm standard profile) optimised in two pieces (as it is severed diagonally,which works as a heat sink and stretches out to the whole as a unique on-site impression.