經(jīng)濟(jì)的急速發(fā)展，生活品質(zhì)的提高，手捧一本書，呷上半杯茶，浮生偷閑生活已不是什么小資風(fēng)情，而是已經(jīng)切切實(shí)實(shí)地落到我們普通百姓的生活中。手機(jī)、電腦、電影、電子游戲、電視劇、臉書、微信，一些我們已熟知的生活模式不管如何都在瓦解著過去吸取知識(shí)的模式。發(fā)展到今天，我們還有多少人在紙本上閱讀？要知道這并不代表著文學(xué)的衰落，反而是文學(xué)傳播形式的調(diào)整，這正像當(dāng)年人類的文學(xué)由語言傳播轉(zhuǎn)為文字傳播一樣，以后的創(chuàng)作者與全媒體不可能不發(fā)生關(guān)系，這亦是新一代的作家必須經(jīng)歷的一個(gè)過程。

The rapid development of the economy,improvement of the life quality,holding a book,sipping a cup of tea,such life is not a petty bourgeoisie,but has actually fallen to the lives of ordinary people. Mobile phones,computers,iPads,movies,video games,TV shows,Facebook,Wechat,and some of the patterns we already know are disintegrating the patterns of learning in the past. How many more people are reading on paper today? We should know that this does not represent the decline of literature,but rather the adjustment of the form of literary communication. Just as the human literature changed from language communication to text communication in the past,the creators of the future cannot avoid from being related to the omnimedia,which is a step that must be experienced by the new generation of writers.