業(yè)主：路易斯·隆吉

主持設(shè)計(jì)師：路易斯·隆吉

室內(nèi)設(shè)計(jì)：Longhi In House Engineering

施工單位：Héctor Suasnabar

建筑面積：330 平方米

功能：獨(dú)立住宅

攝影：Juan Solano,CHOlon攝影

Client:Luis Longhi

Architect:Luis Longhi

Interior design:Longhi In House Engineering

Constructor:Héctor Suasnabar

Area:330 m2

Program:Single House

Photography:Juan Solano,CHOlon photograpy

“CASA CHULLPAS”的設(shè)計(jì)靈感來自建筑師生活的片段，在作品完成之前都沒有意識到這些片段。

“CASA CHULLPAS”的自我委托源于建筑師對他最具有國際意義的作品“Casa Pachacamac”的熱愛，毗鄰“Casa Pachacamac”房子給了他自豪、欽佩、喜悅和對其創(chuàng)造者無限的情感?；谶@個(gè)原因，保持親近的愿望誕生了；它始于景觀中的石墻，作為相鄰地段的標(biāo)志，除了擁有基于建筑師預(yù)算的自建邏輯，是一個(gè)沒有任何明顯秩序的工作室住宅。

走進(jìn)房子，迎接我們的是一個(gè)氣勢磅礴的主空間，這個(gè)空間是雕刻的，沒有想象結(jié)果，但渴望他會接待學(xué)生并發(fā)表演講的地方，作為一種無意識的意識，這個(gè)地方反映了作者迷失在舞者五顏六色的裙擺下，迷失在她童年狂歡節(jié)的民俗音樂中。

令人驚訝的是，這座房子成為了近 50 年來學(xué)生和職業(yè)生涯中創(chuàng)造的各種物品的容器，這些物品包括戰(zhàn)略部件、天花板、走廊、chullpas 和露臺等中組織起來。在設(shè)計(jì)過程中，或在自行施工過程中，都未意識到此類情況。

此外，建筑師還建造了一座“招待所”，其中擺放著雕塑和包含了作為建筑師職業(yè)生涯一部分的有形記憶，例如利馬市政劇院火災(zāi)留下的小塊廢墟，他在那里作為布景設(shè)計(jì)師開展了部分工作。

“CASA TALLER CHULLPAS”是建筑師用作終老的地方，已經(jīng)預(yù)定了一個(gè)空間來存放他的骨灰；生命戰(zhàn)勝了死亡，因?yàn)樗蚕Ｍ鳛榻ㄖ?、雕塑家、布景設(shè)計(jì)師、教師、講師、傳播者以及他必須成為的一切，度過他生命中最美好的時(shí)光。這是一個(gè)萬物皆有，萬物皆無的地方。

The design of "CASA CHULLPAS" inspired by fragments of the architect's life,which are reflected in ways that were not conscious until the day the work was completed.

The self-commission of "CASA CHULLPAS" is given by the love that the architect has for his work with the most international relevance,"Casa Pachacamac",adjacent to the house,which has given him pride,admiration,joys and infinite emotions to its creator.For this reason,the desire to stay close was born; It began with a stone wall in the landscape,as a sign of presence in the adjoining lots,and ended in a studio house without any apparent order,except that of having the logic of self-construction based on the architect's budget.

Upon entering we are welcomed by an imposing main space,which was sculpted,without imagining the result,but longing for the place where he would receive his students and give talks,as a dose of the unconscious made conscious,this place reflects the origin of the author,lost under the colorful skirts of the dancers and among the folkloric of the carnival music of her childhood.

Surprisingly,the house becomes the container for the different objects created almost 50 years of student and professional life,organized in strategic parts,ceilings,corridors,chullpas,and terraces,among others.Without having been aware of such a circumstance during the design,nor in the self-construction process.

Additionally,a "guest house" was built that also houses sculptures and embraces tangible memories that are part of the architect's career,such as small pieces of the ruins left by the fire of the municipal theater in Lima,where he developed part of his work as a set designer.

"CASA TALLER CHULLPAS" is the place where the architect plans to die,having already predestined a space to shelter his ashes; where life triumphs over death,since he also wishes to live the best time of his life as an architect,sculptor,set designer,teacher,lecturer,communicator,and everything that he has to be.It is the place where everything will be and nothing will be.

一層平面圖 First plan

二層平面圖 Second plan

三層平面圖 Third plan

剖面圖 Section