The grass scripts of calligraphy occupies an important position in calligraphy， It is the most artistic， expressive， and lyrical books. However， it is also the most easily misunderstood in the moment. Due to the development of itself and the misunderstandings caused by peoples strangeness to it， this paper attempts to explain general appreciation methods， in order to let people understand it more.

We can use the following aspects as the standard of appreciation for the art：1. Beautiful lines.“Calligraphy is the art of lines.” The lines of calligraphy， especially the lines of grass scripts， have obvious features. It not only has the difference in shape， the difference in direction， but also the differences in disease， moistness， obscuration， texture， strength and so on. The line art is so strange and unpredictable that it can best express the subtle inner feelings of a artist. 2.Structural beauty Appreciation of the structure， the general understanding is often whether the structure is neat， whether it meets the requirements of balanced symmetry， it is not entirely true. Balance symmetry is certainly a basic requirement， but the beauty of the structure pays more attention to the balance and symmetry， and whether the change is innovative or unconventional. The successful cursive art structure is balanced and symmetrical， and the parts are contrasted; there are lengths， sizes， widths， sparseness， and straightness... all kinds of new and varied changes， thus forming a diverse and unified harmony.The different forms of the grass word are stable and honest， there are open walks， there are strong and straight， there are graceful flying， some are “successful to win”， and some are seen in “plain”. The beauty of the grass script is precisely configured by the basic lines of strokes （thick， thin， long， short， bent， raised， stretched， and contracted） and the radicals （upper， lower， higher， lower， wider， narrower， meandering， positive）. And the artistic effect achieved. This collocation technique is a way to find a structural beauty.

Layout beauty The rule of law is whether a piece of work and words， lines and lines are properly and appropriately sized. A work with a succinct style can express the artistic effect of looking forward to affection， spirit， and fullness. The book-seekers “see the chapter.” The chapter is the chapter method， which is to appreciate the overall performance of calligraphy art; the array is cloth white， that is， the blank space outside the writing. As far as the rules are concerned， one point is a one-word rule， and one word is the final standard. Throughout the structure， lead the tube， the first and the end corresponding， in one go. Cloth white is the contrast of Johns ink dust， which constitutes an integral part of the whole work. The clever cloth white can make the effect of the dragons out of the water and the clouds and fluttering.Those who consciously use the patchwork and the statutes are the first to promote Huai Su. The Tang Dynasty monk who is wild and unruly， does not obey the rules of the Buddha， eats wine and eats meat， not only has the line structure innovated in the “self-reporting post”， but also highlights the ingenuity of the “sleek snow” technique.

In modern calligraphy exhibitions，? grass works tend to have a considerable proportion. These revelations seem to tell us the mature position of it and the artistic expression of dripping.The aesthetics of it includes two meanings of appreciation and analysis. The two are different and related. The difference is that appreciation is based on intuition， and the process of rational analysis is analyzed; but appreciation always needs to be analyzed， and the analysis contains the elements of appreciation. The fun of grass scripts art may not be clear at a glance， and the adventures are deep and begin to see wonders. The exquisite and magnificent grass art is not in its spirit but in the spirit， and it needs to be in the heart and soul. Generally speaking， our appreciation process for a grass art work is like this： the first “macro”， appreciate the overall momentum of the whole frame， and appreciate the overall impression; then “middle view”， to refine the overall beauty of the structure.The last “micro”， taste full of pen beauty， point beauty， artistic conception. From far and near， from slow to slow， the three complement each other， not suitable or embarrassing.

Conclusion in summary， the misreading of grass scripts is a common phenomenon at present. This phenomenon also reflects peoples shallow knowledge of it. If you want to really study and appreciate it without misunderstanding， then its origins， characteristics， aesthetics， techniques， etc. cannot help but work hard. A half-study can only be mistaken for people， and in-depth research is beneficial.

【作者簡介】孫德勝（1972.10-），男，漢族，遼寧盤錦人，現(xiàn)就讀沈陽師范大學(xué)書法教育研究所美術(shù)學(xué)專業(yè)，碩士研究生在讀。