Host： We start by going back in time to 1837. Place yourself in South America in what was then called British Guyana. Were in a boat sailing along the backwaters of one of the worlds largest rivers. As were paddling along， we come across these huge flowers growing in the still river basins. The leaves are huge and circular， strong enough to support the weight of a small child in fact.

The original 19th century scientific name for this flower was Victoria Regia， in honour of Queen Victoria， and it became a symbol of the British Empire.

Tatiana Holway （Author of The Flower of Empire）： Its a vast plant that grows in still river basins in the Amazon， and actually all over South America. The leaves are—its a water lily—and the leaves are 5 feet across， at least， sometimes 6， sometimes even 7. And the flower is about 18 inches when it blooms， and it blooms in， first in white and then in shades of pink， darker and darker and darker， and has a beautiful smell of pineapples， very rich.

Host： If we take ourselves back to the mid-19th century， no one in England had seen a flower quite like this. It was discovered by German naturalist Robert Schomburgk， who was on an expedition for the Royal Geographical

Society. And then， a…a picture of it kind of takes off in Victorian England. It wasnt just taking off. I mean， the whole country went gaga for it.

Holway： They sure did， and it was a matter of just perfect timing; all the conditions coming together for a perfect storm. First of all， in Britain already， flowers were…were a craze. And， at the same time that Britain is expanding its empire and expanding its explorations， its also discovering new flowers all the time. And so these are appearing in the press with lots and lots of fanfare， and everybodys getting excited about the petunia. I mean， theres nothing more…more amazing than…than this petunia or the begonia. So already the conditions are promising for a flower like this. Add the fact of where it was discovered， Guyana， and then the timing. Thats the key. This was 1837. It was discovered when Victoria was a princess still. And in the six weeks between the time that the news of the discovery left Guyana and arrived in London， Victoria had become Queen. Then they discover its a new genus， then they call it Victoria Regia， and there we are， the perfect storm.

Host： Now theres another beat to this story， which is really interesting. This flower， Victoria Regia， actually prompted the construction of Crystal Palace in London. This is 1851.

Holway： It was all glass.

Host： Yeah.

Holway： It was the largest building ever built. It was 18 acres. It was built for the Great Exhibition of Industry of 1851， and it was temporary. It was taken down after a year， and the design was based on the structure of the leaf of the water lily.

Host： Ex…Explain that. I mean， how do you take a…this kind of thing that grows in nature and it becomes kind of the…the basis for a building？

Holway： Ahh， well， as the architect himself put it， Joseph Paxton， nature was the engineer. Thats a bit of an oversimplification， but he is also the one who brought the lily to bloom for the first time in Britain， and having done so， the lily was getting bigger and bigger under his care， so he built for Victoria Regia a special new Victoria Regia house. And he had a breakthrough in design based on…on the lily leaf， which can support quite a bit of weight…on the water. So， thinking along those lines， he figured out a way to have a roof， a wide horizontal expanse with minimal vertical supports. And that was the big design breakthrough in this lily house， which was quite small. But when it came to the Crystal Palace， it was just many， many， many of those lily houses all joined together.

Host： So you…you see then， you must see， a direct link between the discovery of this flower， the enthusiasm in England for it， and then， kind of， I mean， buildings that have gone up here in the United States， glass buildings， this whole， kind of architectural， kind of， fad， really， thats been going on since the 50s.

Holway： Absolutely， and…and even before—museums， malls， all those things. They all…they all come from the Crystal Palace in many ways. So， if you follow the line of reasoning that the Crystal Palace arose from the water lily， and that modernity， in a way， arose from the Crystal Palace， then you can kind of say that modernity started in a swamp.

Host： Thats incredible！

主持人：首先，讓我們回到1837年。想象你置身于南美洲當(dāng)時(shí)的英屬圭亞那，我們正在世界上最大的河流之一——亞馬遜河的偏僻河段航行。劃著船前行時(shí)，我們遇到了生長在這個(gè)靜水流域的一些巨型花朵，巨大的葉子呈圓形，承重力很強(qiáng)，實(shí)際上可以承受住一個(gè)小孩子的重量。

這種花在19世紀(jì)時(shí)的學(xué)名是維多利亞王蓮，表示對(duì)維多利亞女王的敬意。它成為了大英帝國的一個(gè)象征。

塔提安娜·霍爾維（《帝國之花》作者）：這是生長在亞馬遜河靜水流域的一種大型植物，實(shí)際上它分布在整個(gè)南美洲的靜水流域。它的葉子——這是睡蓮的一種——它的葉子直徑最少有五英尺（約1.5米），有時(shí)可達(dá)六七英尺，開花時(shí)花朵約十八英寸（約0.5米），剛開放時(shí)呈白色，之后會(huì)變?yōu)榉奂t色，而且顏色越來越深，散發(fā)出濃郁的鳳梨香味。

主持人：在19世紀(jì)中期的時(shí)候，英國沒有人見過類似這種王蓮的花卉。德國博物學(xué)者羅伯特·肖姆伯克在為英國皇家地理學(xué)會(huì)進(jìn)行的一次探險(xiǎn)中發(fā)現(xiàn)了它。之后，它的一幅圖片在維多利亞時(shí)期的英國引起了不小的轟動(dòng)，不僅僅是引起轟動(dòng)，我的意思是，整個(gè)英國簡直是為它而癡狂。

霍爾維：確實(shí)如此，王蓮掀起如此熱潮是因?yàn)樗》暌粋€(gè)完美的時(shí)機(jī)，當(dāng)時(shí)所有的因素一起作用，刮起了這場“完美風(fēng)暴”。首先，英國人本來就對(duì)花卉非常熱衷。其次，英國在擴(kuò)張帝國版圖、擴(kuò)大探索開拓的同時(shí)，也一直在發(fā)掘新的花卉品種。媒體對(duì)新的品種大肆宣傳，當(dāng)時(shí)新發(fā)現(xiàn)的矮牽?；ň妥屓藗兣d奮不已。我的意思是，矮牽?；ㄟ€有秋海棠在當(dāng)時(shí)是最新奇的品種。所以對(duì)于像王蓮這樣的花來說，在英國掀起風(fēng)潮的條件已經(jīng)很成熟。再加上它的發(fā)現(xiàn)地點(diǎn)——圭亞那，還有發(fā)現(xiàn)的時(shí)間，這個(gè)是關(guān)鍵。當(dāng)時(shí)是1837年，剛發(fā)現(xiàn)王蓮時(shí)維多利亞還是公主，就在發(fā)現(xiàn)王蓮的消息從圭亞那傳到英國的六個(gè)星期里，維多利亞已經(jīng)成為了女王。然后，人們發(fā)現(xiàn)這是一個(gè)新的類屬，就把它命名為維多利亞王蓮。就這樣，一場“完美風(fēng)暴”刮起來了。

主持人：王蓮的故事還有一個(gè)非常有趣的亮點(diǎn)。這種維多利亞王蓮其實(shí)還激發(fā)了倫敦水晶宮的建筑靈感。那是1851年的事情。

霍爾維：整個(gè)建筑都是玻璃的。

主持人：沒錯(cuò)。

霍爾維：它是當(dāng)時(shí)史上最大的建筑，占地18英畝（約7.3公頃），用作1851年萬國工業(yè)博覽會(huì)的舉辦場館，是一個(gè)臨時(shí)性的建筑，一年后就拆除了。它是參照王蓮葉子的構(gòu)造設(shè)計(jì)而成的。

主持人：這個(gè)需要解釋一下。我的意思是，你怎么把一個(gè)……這種生長在自然界的東西變成一種……一座建筑的依據(jù)呢？

霍爾維：啊，呃，就像水晶宮的建筑師約瑟夫·帕克斯頓所說的，自然是最好的工程師。這有點(diǎn)過于簡化了，但他也是第一個(gè)成功使王蓮在英國開花的人。王蓮開花后，花朵在他的培育下越長越大，因此他專門為王蓮建了一座新的溫室。他以水上承重力很強(qiáng)的王蓮葉子作為參考，在溫室的設(shè)計(jì)上取得了突破。沿著這個(gè)思路，他想出了一種新型的屋頂——以最少的垂直支撐物來撐起一個(gè)寬闊的水平面，這就是這座睡蓮溫室在設(shè)計(jì)上的重大突破，溫室很小，但宏偉的水晶宮就是許許多多座這種溫室的結(jié)合體。

主持人：所以你……你看到了，維多利亞王蓮的發(fā)現(xiàn)，它在英國掀起的熱潮，還有，我是說，美國這里的建筑，玻璃建筑，從50年代一直延續(xù)到現(xiàn)在的這種，怎么說呢，這一整輪建筑風(fēng)潮，你想必看出了以上種種之間的直接聯(lián)系。

霍爾維：一點(diǎn)不錯(cuò)，甚至更早的時(shí)候——博物館，購物中心，諸如此類的建筑，它們都……它們?cè)诤芏喾矫娑冀梃b了水晶宮的設(shè)計(jì)。所以，如果你推想一下，水晶宮的構(gòu)思來自王蓮，建筑的現(xiàn)代性在某種意義上始于水晶宮，那么可以說，現(xiàn)代化的建筑風(fēng)格就發(fā)源于一片沼澤。

主持人：真是太神奇了！