Li Guangchun was fond of calligraphy since an early age and devoted himself to the research and creation for several decades. He not only inherited the essence of Chinese traditional masters but also integrated his own style， fully demonstrating the charm and vitality of Chinese calligraphy.

Li Guangchun， also named Li Huiweng， was born in 1941. Now he is the vice- president of Calligraphy Association of Hangu District， director of Hangu Culture Center， honorable vice-president of Hangu Calligraphers Association， a member of Tianjin Calligraphers Association， etc.

幾十年來，李光春先生一直將書法藝術作為精神生活中一大樂趣和愛好，堅持臨習北宋大家黃庭堅名帖，在注重吸收北宋大師營養(yǎng)同時學習其他歷代大家名帖，行草結合，筆墨酣暢，自成風貌。

常言道，書法至簡，一筆、一紙、一墨、一線，足矣；書法又之繁，被賦予了太多的內涵，社會的、自然的、審美的、道義的。正如古語所云：大道至簡。由此觀之，李光春先生在提按使轉之中一路寫來，運筆流暢，嚴謹有度，氣勢雄渾，秀勁生動，筆力老辣，力透紙背。他融合古今的創(chuàng)作手法，在氣韻藏于筆墨、筆墨皆成氣韻中使自己的藝術創(chuàng)作完成渾然的整體把握，充分展示了蒼潤的筆墨情韻和中國文人的風骨神韻，同時也彰顯了中國書法的生命與活力，證明了中國書法體系的活性特征與可發(fā)展性。

李光春，1941年出生，字悔翁，號鹵灘愚人。漢沽區(qū)書法協(xié)會副主席、漢沽區(qū)文化館館長兼書記、天津市書法家協(xié)會會員、漢沽區(qū)書法家協(xié)會名譽副主席。