建筑設(shè)計(jì)：SAREA建筑事務(wù)所，阿蘭·薩爾法提

明快的色彩

“在這里，光線是不同的。你必須要考慮到沙塵……”大使見(jiàn)到我們的時(shí)候，是這樣提醒我們注意此地的氣候和環(huán)境的。超越運(yùn)行的復(fù)雜性或安全問(wèn)題，而關(guān)注于文化和象征性。將建筑轉(zhuǎn)化為一條紐帶，一種象征。這就是我們項(xiàng)目的意義所在。

我們的想法已成為現(xiàn)實(shí)，建筑遵循了這些指導(dǎo)原則。在冬季，它能引入更多的光線；在夏季，它能避免吸收過(guò)多的熱量。

亮與暗：對(duì)于擁有一面開(kāi)敞的大玻璃幕墻的東立面來(lái)說(shuō)，面向城市的封閉式的西立面就像一道保護(hù)性的過(guò)濾器，在這個(gè)表皮上的不同元素的形式都是根據(jù)太陽(yáng)入射的軌跡而設(shè)計(jì)的。在洞口、遮陽(yáng)板或材料選擇上的變化與對(duì)比的設(shè)計(jì)中，朝向成為了決定性的因素。

在透明的辦事大廳里，一道明亮的背光強(qiáng)化了室內(nèi)外與花園間的通道。你可以在這里看到深色的橡木和淺色的櫸木，黑色的花崗巖和帶有紋理的石灰石。這是一種室內(nèi)的景觀。隨著不同的百葉門(mén)的開(kāi)啟、閉合，住宅門(mén)廳將沉浸在或明或暗的朦朧光線之中。

透過(guò)光線的百葉在一天中變換各種顏色：從灰色到米色或金色。百葉的形式隨著朝向的不同而變化，幕墻迎合著環(huán)境中的灰塵、水和風(fēng)。

建筑北側(cè)展開(kāi)了一個(gè)巨大的金棕色的篷幕。生態(tài)氣候?qū)W的設(shè)計(jì)與時(shí)尚相融。在南側(cè)，圍繞著接待室的天窗，設(shè)計(jì)了一個(gè)受風(fēng)水啟發(fā)的，擁有五大要素的庭院。大理石就像天空中的最后一道光線，讓人聯(lián)想到自然的景觀。光線經(jīng)由立面上走廊和露臺(tái)的過(guò)濾，顯得朦朧昏暗。

春天，變化的光線將來(lái)自花園和溫室。內(nèi)部的自然將與前院形成對(duì)比；與大地的緊密聯(lián)系將抵擋住天空中的最后幾縷陽(yáng)光?！酰▽O凌波 譯）

1、2 外景/Exterior views

3 南立面/Facade south

4 縱剖面/Longitudinal section 5 西立面/Facade west

6 橫剖面/Cross section

7 細(xì)部/Detail

8 西立面墻基細(xì)部構(gòu)造/Detail of the west facade: wall

9 細(xì)部/Detail

10 南立面遮陽(yáng)板構(gòu)造/Detail of the south facade: shutters

Bright Colours

"Over here, the light is different. You have to expect sandstorms and dust...": greeting us with those words, the Ambassador invited us to be aware of the climate, the context. To go beyond the operational complexities or safety matters and to focus on culture and symbols. To transform architecture into a tie, a symbol. That was our project.

Our ideas became reality and the building follows the guidelines. Open to light in winter,protected from heat in summer.

Dark and light: from the closed West facade facing the city limits and acting as a protective filter to the East facade, a wide open glass screen,the different elements of the protective envelop are shaped by the path of the sun. The cardinal orientations play a decisive role in triggering change, contrast and tension between the openings,the solar protections or the choice of materials.

Light is in the transparency of the chancery's hall, a bright backlight that enhances the passage between the outside, the inside and the garden. This is where you find dark oak and light beech, black granite and veined limestone. It's a kind of interior landscape. A dusky light, some shade or bright light will soak in the residence's hall, depending on which louvered door is open or shut.

Light is in the undulation of the sunblinds which change colour with the time of day: from grey to pink-beige or gold. Form adapts to orientation. The screen-printed blinds play with the dust, the water and the wind.

On the North side, a vast veil unfurls into a golden brown canopy. Bio climatic behaviour meets haute couture. To the South, around a skylight in the reception rooms, a Feng Shui inspired design shapes a courtyard of the 5 elements. Marble evokes a landscape, like the last vibration of light from the sky; just like an interior nature. The light appears dusky, due to the different filters on the facade with its gallery and terrace.

In the Spring, changing lights will come from the garden and the greenhouses. The interior nature will contrast with the mineral forecourt; the strong anchoring into the ground will stand against the last rays of sunshine in the sky.□(Alain Sarfati)

11 軸測(cè)圖/Axonometric drawing

建筑師及項(xiàng)目經(jīng)理/Architect and Project Managers:Christian Laquerrière, Ovidiu Milea et Cristiana Milea助理建筑師/Assistant Architects: Ewina Chau, Jitka Darras技術(shù)主管/Technical Contractor: Ginger Groupe Ingenierie Europe

合作設(shè)計(jì)院/Design Institute: 北京市建筑設(shè)計(jì)研究院/BIAD (Beijing Institute of Architectural Design)景觀建筑師/Landscape Architect: Florence Mercier面積/Area: 19 500m2（大使館/Chancellery: 9 713m2;領(lǐng)事館/Consulate: 6 614m2; 住宅/Residence: 3 173m2）攝影/Photos: ? Adagp-photographe Noelle Hoeppe

12.13 外景/Exterior views

14 細(xì)部/Detail