“你輕一點走，小心踩出泉水！”這是詩人孔孚對來訪濟南友人的提醒。

行走在濟南，的確要放輕腳步，不僅因為可能一不小心就會踩到如珍珠漫灑般的滿城泉水，還因為沉靜下來，能夠感受到一種純粹而清澈的氣息，這種氣息來自遙遠的城子崖，來自《詩經(jīng)·大東》，來自鵲華秋色，也來自新時代的網(wǎng)紅超然樓。

這里是剛剛好的泉城濟南，沒有腳步聲喧嚷，也沒有過于守舊的因循，她所擁有的，是數(shù)千年風(fēng)韻浸潤下的那一方山水、一脈人文；是那些修篁疏柳間、風(fēng)檐庭院中名士們留下的風(fēng)雅過往。

濟南之美，在其山其水。

世有山城、有水城，但能集齊“山、泉、湖、河”，并與“城”天然融為一體的，唯有濟南。

濟南的山，同樣層巒疊嶂，卻并非峭壁懸崖、崢嶸橫絕，而是一城山色、九點齊煙，“小山整把濟南圍了個圈兒，只有北邊缺著點口兒”。

七十二名泉，跳珠濺玉、風(fēng)姿綽約，一泓泓、一處處，泉在百姓人家，無比的歡快靈動，賦予城市永久的生命力。

大明湖、華山湖、玉清湖、美里湖……泉水匯流，廣納百涓的城中湖，冬泛冰天、夏挹荷浪、秋容蘆雪、春色楊煙。

而城外的黃河，沒有上游的咆哮之姿，只是安然將萬里寫入胸懷；城內(nèi)的小清河、護城河、工商河……則是串珠成鏈，水面波光粼粼、兩岸綠樹成蔭。

濟南的山水，讓這座城市既有了水做的肌理，又擁有山造的骨骼，雖然自有一番英朗，卻從不張揚、不炫耀，只是安適地靜靜依靠在母親河的臂彎里、泰山的角落里，向世界展示著獨有的秀美。

濟南之雅，在其人其文。

一座城市的氣質(zhì)在于生活在這里的人，而這座城市的內(nèi)涵，則在于這里的筆墨所寫就的文章。

漱玉才女李清照，一首首清麗典雅的詞作，一句句精致工巧的詩章，將“性靈鐘慧”“語新意雋”深深融進了這座城市的文脈。

文武雙全的辛棄疾，則為這座城市譜寫了剛?cè)岵牧硪幻?。如果說辛棄疾是中國歷史上為數(shù)不多的“文能作詩篇、武能戰(zhàn)沙場”的兼?zhèn)渲?，那么養(yǎng)育了辛棄疾的濟南，則是絕無僅有的婉約與豪邁并蓄之城。

李白、杜甫、蘇軾、蘇轍、曾鞏、元好問、趙孟頫、王士禎等歷代大家或旅游或工作在此，張養(yǎng)浩、于慎行、李攀龍等就是出生在濟南。歷代名人大家對這座城市的風(fēng)光風(fēng)情贊吟不絕，詩人甚至生出了“日日扁舟藕花里，有心長作濟南人”的心愿。

更別說將濟南視作“第二故鄉(xiāng)”的老舍，一篇《濟南的冬天》，用最溫情的筆觸，將“濟南”二字清晰刻入幾代國人的認知。

濟南之暖，在其真其誠。

一座城市的格局，自然在于她得天獨厚的自然稟賦、積淀已久的人文精神，但更重要的，是她開放包容的真誠情懷。

“海右此亭古，濟南名士多”，這座千年古城，尊賢禮士的基因一脈相承又守正創(chuàng)新。近年來，濟南以海納百川的胸懷、求賢若渴的誠意，深入踐行“天下泉城聚天下英才”理念，拿出一座城的誠意與禮遇，用最具溫度與力度的方式呼喚遠近人才，全力構(gòu)筑“天下泉城、人來無憂”全生命周期人才服務(wù)體系，無數(shù)海內(nèi)外人才在這里找尋到了“濟南剛剛好”的情感認同，奔赴濟南、創(chuàng)業(yè)濟南、筑夢濟南成為新濟南人共同的選擇。

這是一座歷史的城市，“山對濟南城，人言帝舜耕”；這是一座自然的城市，“濟南山水天下無，晴云曉日開畫圖 ”；這是一座文化的城市，“上古全經(jīng)皆在口，秦人如見濟南生”……

800年前，詩人元好問曾經(jīng)感嘆：“羨煞濟南山水好，幾時真作卷中人？”今天，我們都是卷中人，用手中的畫筆共同描繪著這幅新時代的“鵲華秋色圖”，一起書寫千年古城的時代新篇章。

詩意最宜是濟南，一縷千年前吹來的微風(fēng)，拂過李清照的發(fā)端，掠過辛棄疾的馬蹄，繞過白雪樓的畫檐，飛過趵突泉的雪浪，溫柔地吹上我們的面龐。在這座不疾不徐、不焦不慮、不慌不忙、一切都“剛剛好”的城市，正是臨風(fēng)起舞、擊鼓而歌的好時節(jié)，為生活、為事業(yè)、為夢想，一切都恰到好處！

剛好的人文，剛好的底蘊，剛好的未來。這座蘊涵數(shù)千年歷史與文明積淀的城市，終于等到你，與千萬優(yōu)秀才俊一起，聚創(chuàng)泉城、一起奔跑！

Step gently， lest you tread upon the springs！” Such was the tender counsel of poet Kong Fu to his companions during their visits to Jinan.

Wandering through Jinan， one must indeed proceed with a light step. Not merely to avoid inadvertently stepping on the springs that scatter the city like pearls， but also because， in the tranquility， one can sense a pure and limpid breath emanating from the distant Chengzi Cliffs， from the ancient stanzas of “Dadong” in the Book of Songs， from the autumnal scenery of the Que and Hua Mountains， and even from the modern-day internet-renowned landmark， Chaoran Pavilion.

Here lies Jinan， the city of springs that is exquisitely poised. There are no clamorous footfalls， nor any antiquated customs. What it holds is a landscape and culture that have been nurtured by millennia of enchantment； it is the refined legacy left by esteemed scholars amidst the bamboo groves and slender willows， within the breezy eaves and courtyards.

The elegance of Jinan resides not only in its people but also in their writings； the character of a city is molded by those who dwell within its bounds， while its very essence is unveiled through the written word.

Li Qingzhao， an illustrious female poet， imbued the city’s cultural fabric with her exquisite lyrical and poetic quality， infusing it with the “wisdom of nature” and a “l(fā)anguage both novel and profound.”

Xin Qiji， a master of both the literary and martial arts， crafted another facet of the city’s identity， one that is both robust and tender. If Xin Qiji stands as one of the rare figures in Chinese history who could wield both the pen and the sword， then Jinan， his birthplace， is the city where grace and heroics coalesce.

Li Bai， Du Fu， Su Shi， Su Zhe， Zeng Gong， Yuan Haowen， Zhao Mengfu， Wang Shizhen， and other luminaries of various eras traveled or worked here. Zhang Yanghao， Yu Shenxing， Li Panlong， and others were born in Jinan. Throughout the ages， celebrated figures have extolled the city’s scenic beauty and ambiance， with poets even expressing the longing to “rest amidst lotus blossoms in a small boat， with the heart to forever be a resident of Jinan.”

Last but not to be overlooked is Lao She，xGYw8BtLOu7fNiaRkxtBXJd/ubW0uQpzhNFIDS24iKE= who considered Jinan his “second home.” In his work “Winter in Jinan，” with the warmest strokes， he indelibly etched the name “Jinan” into the hearts and minds of generations of Chinese people.

Jinan， a city that is a poem in itself， is caressed by the tender zephyrs of a millennium past， murmuring through the tresses of Li Qingzhao， brushing against the steed of Xin Qiji， swirling around the ornate eaves of the Baixue Pavilion， soaring over the waves of the Baotu Spring， and tenderly kissing our visages. In this metropolis， where the pace is neither hurried nor sluggish， where the mood is neither fraught with anxiety nor marked by apathy—where all is in harmonious balance—the moment is ripe for a dance with the breeze， a rhythmic drumming， and a melodic chant—for life， for vocation， for aspirations， all is in perfect accord！

The city boasts perfectly balanced humanity， rich heritage， and a promising future. Jinan， steeped in profound deposits of history and civilization， has finally awaited your arrival. Alongside countless exceptional minds， let us converge in the City of Springs and stride forward together！