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緬因街1217號(hào)大樓美國(guó)得克薩斯州達(dá)拉斯市

2022-04-22 09:22:34YenOng,HoangDang,PaulMerrill
世界建筑導(dǎo)報(bào) 2022年1期
關(guān)鍵詞:辦公樓瓷磚大樓

業(yè)主單位:海丁頓公司

設(shè)計(jì)團(tuán)隊(duì):Yen Ong,Hoang Dang,Paul Merrill,Josh Allen

合作單位:豪爾赫·帕爾多,Ink+Oro 創(chuàng)意設(shè)計(jì)公司,

保羅·赫爾姆斯設(shè)計(jì)咨詢公司

項(xiàng)目面積:2 000 平方米

項(xiàng)目竣工:2018 年

項(xiàng)目攝影:Adam M?rk

Client:Headington Companies

Design architect/design team:Yen Ong,Hoang Dang,Paul Merrill,Josh Allen

Collaborators/consultants:Jorge Pardo,Ink+Oro Creatives,

Paul Helms Design Consultants

Size:2 000 sqm

Year of completion:2018

Photographer:Adam M?rk

緬因街1217號(hào)大樓位于達(dá)拉斯市中心,其的新穎設(shè)計(jì)是對(duì)20世紀(jì)50年代銀行大樓進(jìn)行的驚人改造。客戶委托出生于古巴的藝術(shù)家Jorge Pardo(麥克阿瑟基金會(huì)研究員,其作品集意在探索當(dāng)代繪畫、設(shè)計(jì)、雕塑和建筑的交集)設(shè)計(jì)了36215塊手工制作的釉面瓷磚,并將其作為建筑物的主要覆層材料。這些瓷磚的靈感來(lái)自得克薩斯州藍(lán)天的微妙變化,用不斷變化的醒目顏色包裹著建筑物。

為了準(zhǔn)確地表達(dá)陶瓷藝術(shù),設(shè)計(jì)團(tuán)隊(duì)為瓷磚設(shè)計(jì)了一個(gè)技術(shù)上復(fù)雜的立面子結(jié)構(gòu),以實(shí)現(xiàn)控制縫和伸縮縫、面板接縫或模塊接縫或陰面粗線的視覺(jué)隱藏。

建筑的一樓設(shè)有面包店/咖啡館/肉鋪/雜貨店,上面則是四層創(chuàng)意辦公樓層。此外,將屋頂改造成可使用的辦公樓層,外部帶有陽(yáng)臺(tái),可供欣賞達(dá)拉斯市中心的外景。

城市藝術(shù)與建筑的成功融合使這座建筑成為一個(gè)新的市中心地標(biāo),無(wú)時(shí)無(wú)刻不充滿著活力。這一設(shè)計(jì)強(qiáng)烈表達(dá)了客戶的意圖,通過(guò)將著名藝術(shù)家的作品與重大建筑改造相結(jié)合,使達(dá)拉斯市中心成為永遠(yuǎn)充滿活力的步行環(huán)境。

Located in downtown Dallas,the new design of 1217 Main Street is a striking transformation of a 1950s-era bank building.The client commissioned the Cuban-born artist Jorge Pardo—a MacArthur Foundation Fellow whose body of work explores the intersection of contemporary painting,design,sculpture,and architecture—to design 36,215 handmade,glazed ceramic tiles to become the primary cladding material for the building.The resulting tiles get their inspiration from the subtle variation of the Texas blue sky,wrapping the building with a striking and ever-shifting color.

To express the ceramic art properly,the design team devised a technically complex facade substructure for the ceramic tiles to enable the visual concealment of control and expansion joints,panel or module seams,or shadow lines.

The ground floor of the building is occupied by a bakery/café/butcher shop/commissary operation topped with four stories of creative office floors above.The roof was also converted into an occupiable office floor with exterior balconies affording the outdoor enjoyment of the Dallas downtown scene.

This successful merging of the urban art and architecture transfigures the building into a new downtown anchor that is now full of life day and night.It strongly expressed the client’s intention to permanently transform downtown Dallas into a vibrant pedestrian environment by combining the work of a renowned artist with a major architectural alteration.

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