建筑設(shè)計(jì)：卜驍駿，張繼元/時(shí)境建筑

本項(xiàng)目位于圣農(nóng)集團(tuán)的生產(chǎn)基地，遠(yuǎn)離城市，位于環(huán)境優(yōu)美的武夷山。圣農(nóng)集團(tuán)一個(gè)非常重要的企業(yè)運(yùn)營(yíng)理念就是零排放零污染，運(yùn)進(jìn)山里的是飼料和水電，輸出的是雞肉、各種副產(chǎn)品和生物電能。在參觀了該企業(yè)的生產(chǎn)基地之后，設(shè)計(jì)師認(rèn)為這是非常重要的一個(gè)設(shè)計(jì)出發(fā)點(diǎn)，圣農(nóng)博物館在設(shè)計(jì)之初就明確了與自然環(huán)境和諧相處的設(shè)計(jì)理念。

源自大地

項(xiàng)目用地位于富屯溪河畔，在主干道的另一側(cè)是大量生產(chǎn)廠房和一個(gè)大型的景觀中軸線，在富屯溪的對(duì)面是層巒起伏的山脈。本項(xiàng)目一個(gè)重要的設(shè)計(jì)理念是希望建筑仿佛武夷山脈自然地貌的一個(gè)片段，從首層開(kāi)始逐漸螺旋上升，一至三層屋面之間沒(méi)有明顯的層級(jí)關(guān)系，在狹窄的用地范圍內(nèi)形成了一個(gè)連續(xù)三層的拓?fù)涞匦?，游覽者可以從首層盤(pán)旋而上，沿著曲面的樓板和展覽流線一路走到屋頂，在屋頂平臺(tái)上一覽周邊的河流和山巒。這種沒(méi)有邊界的形態(tài)，自然地融入了周邊的環(huán)境。

室內(nèi)外景觀的連貫性

建筑由一個(gè)盤(pán)旋上升的螺旋曲面構(gòu)成，在其中構(gòu)建出合理的室內(nèi)外空間劃分尤為重要，設(shè)計(jì)師希望室內(nèi)外具有連續(xù)貫通的視野，這在展覽空間中并不尋常，給室內(nèi)的展陳帶來(lái)一定的挑戰(zhàn)。設(shè)計(jì)結(jié)合懸挑遮陽(yáng)以及自然光穿透到室內(nèi)的距離計(jì)算，通過(guò)對(duì)展覽的內(nèi)容分類(lèi)并仔細(xì)排布了一定的照度梯度，從室外景觀空間過(guò)渡到擁有自然光線的室內(nèi)空間，再到較為封閉的室內(nèi)空間，創(chuàng)造出連續(xù)變化的光線條件，從而緩和了人工環(huán)境與自然環(huán)境的強(qiáng)烈反差。而曲面的屋面和室外的走廊上面布有綠化系統(tǒng)，從遠(yuǎn)處看仿佛是整個(gè)生態(tài)環(huán)境的一部分，設(shè)計(jì)師希望以這樣的一種新的形態(tài)，輕松地把室外的景觀系統(tǒng)引入到屋面上來(lái)，引入到室內(nèi)的展陳空間當(dāng)中。

在展覽流線上，室內(nèi)的展覽空間和室外的自然山景相互滲透，形成一種“無(wú)盡的景觀”。

更大的景觀系統(tǒng)

在整個(gè)項(xiàng)目中，設(shè)計(jì)師不只關(guān)注項(xiàng)目場(chǎng)地本身，還希望將旁邊的景觀中軸帶、周邊的工廠區(qū)域和富屯溪景觀走廊緊密聯(lián)系在一起，而本項(xiàng)目的建筑結(jié)構(gòu)也是其整個(gè)景觀帶上的一個(gè)節(jié)點(diǎn)。由此設(shè)計(jì)師還對(duì)周邊的景觀進(jìn)行了規(guī)劃：一個(gè)架空的連廊穿過(guò)工廠的貨運(yùn)主干道通往建筑的二層，從二層繼續(xù)前行穿過(guò)建筑，通過(guò)景觀廊道降落在富屯溪濱河景觀帶內(nèi)。這樣從地面浮起的建筑的拓?fù)潢P(guān)系就擴(kuò)大延伸到更大范圍的景觀系統(tǒng)中來(lái)，該形而上的設(shè)計(jì)為未來(lái)廠區(qū)的規(guī)劃做出了鋪墊：為未來(lái)的工廠區(qū)參觀動(dòng)線與圣農(nóng)博物館的展示和集會(huì)功能之間的聯(lián)動(dòng)構(gòu)架好基礎(chǔ)設(shè)施，從而可以激發(fā)該企業(yè)展示區(qū)未來(lái)作為旅游目的地的潛在可能性。

結(jié)構(gòu)系統(tǒng)

該項(xiàng)目的結(jié)構(gòu)體系為鋼結(jié)構(gòu)，設(shè)計(jì)師希望呈現(xiàn)整個(gè)地面被拉升起來(lái)的效果，所以希望樓板盡量薄。結(jié)構(gòu)工程師做了很多設(shè)計(jì)嘗試，用鋼梁擬合該曲面樓板，最終達(dá)成的效果是建筑部分層高5.5m，部分層高16m，雖然產(chǎn)生了巨大的結(jié)構(gòu)高差，但最終實(shí)現(xiàn)了該設(shè)計(jì)理念。該曲面樓板的坡度與逃生樓梯規(guī)范劃分相匹配：整個(gè)建筑的最終形態(tài)其實(shí)是受逃生樓梯坡度的影響。

展陳體驗(yàn)

展陳體驗(yàn)希望不干擾建筑空間的拓樸形態(tài)：高大的空間能夠給人以輕盈空曠的超人尺度的感受，與一般的展覽空間不同，展陳設(shè)計(jì)希望能讓游客在參觀的同時(shí)觀賞到室外美麗的自然景觀和工業(yè)園區(qū)，這更加體現(xiàn)了圣農(nóng)集團(tuán)與自然融合在一起的企業(yè)精神，所以室內(nèi)設(shè)計(jì)和展陳設(shè)計(jì)都以空間貫穿互相聯(lián)通的方式完成游覽體驗(yàn)。我們致力于打造一種更加自由的動(dòng)線，以及更為新穎的不同標(biāo)高之間的自由游覽體驗(yàn)。

總結(jié)

改革開(kāi)放以來(lái)，國(guó)內(nèi)企業(yè)歷經(jīng)變化和發(fā)展，如今面臨的是更加國(guó)際化、前瞻性的發(fā)展方向，提升現(xiàn)代化管理水平及國(guó)際影響力的訴求日漸增長(zhǎng)。對(duì)企業(yè)文化的深刻挖掘，以及對(duì)周邊地形地貌的尊重，似乎成為打造自信的企業(yè)文化的合理方式。

我們面對(duì)的場(chǎng)地充滿了矛盾：它既是現(xiàn)代的、高科技的，又是非常偏遠(yuǎn)的、傳統(tǒng)的、自然的。這種人和自然之間相互依托的關(guān)系不僅衍生出了樸素的企業(yè)精神，同時(shí)也會(huì)轉(zhuǎn)化成現(xiàn)代、嶄新的建筑空間語(yǔ)言，這是我們所相信的。

1 外景/Exterior view

2 概念手稿/Concept sketch

3 鳥(niǎo)瞰/Exterior aerial view

This project is located in the Sunner Group's production base, which is far away from the urban environment and located at the picturesque Wuyi Mountains. A very important spirit for their operation concept is zero-emission and zero-pollution. Fodder, water, and electricity are delivered to the site, then, chicken and other byproducts and bio-electricity are produced. After visiting the company, architects believed that this was a very important starting point for the design.The design concept of Sunner Museum which shows the harmony between humans and the natural environment is clearly de fined in the beginning.

From the Ground

The site is located next to Futun River. On the other side of the main road are factories and a large landscape axis. On the opposite side of Futun River,there are undulating mountains. An important concept in this design is to integrate the entire project to be a fragment of the natural landscape of Wuyi Mountains, where the ground fioor gradually undulates and spirals up. From the ground fioor, the second floor to the third floor's roof terrace, there is no obvious hierarchy, and a continuous threelayer topological terrain is formed within a narrow land area. Visitors can hover from the ground and walk all the way to the roof along the curved floor and exhibition flow lines. Finally, the surrounding rivers and mountains can be viewed on the undulate roof terrace. This landform without boundaries adapts to the overall impression of the surrounding environment.

Coherence of Indoor and Outdoor Landscape

Since this building is made of a spiral curved surface hovering upwards, it is important to divide a reasonable indoor and outdoor space. Architects hope that the indoor and outdoor spaces have a continuous view, this is unusual for an exhibition space. It challenges the interior exhibition at a certain level, but by combining the cantilever shading and the calculated distance of sunlight that penetrates to the interior, this layout adapts from outdoor landscape space to shaded outdoor landscape space. A gradient of the exhibition content from bright to dark natural light is delicately arranged. Space, therefore, accommodates the huge contrast between the artificial environment and the natural environment. The curved roof and outdoor corridors are designed with a green system,which seems to be part of the entire ecological environment from a distant and fragmented pieces from the ground. Architects hope that this new form can introduce the outdoor landscape system to the roof and to the indoor exhibition space easily.

For the exhibition circulation, the interior exhibition space and the exterior natural mountain landscape can be viewed without obstruction,forming an "endless landscape".

Larger Landscape System

For the whole project, architects hope to not only pay attention to the project site itself but also to closely link the adjacent landscape axis belt,the surrounding factory area, and the Futun River landscape belt corridor. The architectural structures in the project site are also part of this, it is a node on the entire landscape belt. As a result, architects also provided a landscape design for the entire surrounding area. An overhead corridor passes through the main road of the freight factory to the second floor and continues from the second fioor through the building. Later, it can land on the riverside of Futun River along the landscape belt through the corridor. In this way, the topological relationship of a construction floating from the ground is extended to a larger landscape system.This metaphysical design paves the way for the planning stage: for the visitors' circulation of the future factory area within Sunner Museum's exhibition and assembly space aims at a good physical infrastructure, which can stimulate the potential of the corporate exhibition area as a tourist destination in the future.

Structure System

The structural system of the project is a steel structure. Architects hope to achieve the effect of pulling up the entire terrain shell, so the fioor slab is as thin as possible. Structural engineers have made a lot of design efforts, fitting steel beams to the curved floor slab, and the final result is part 5 metres tall and part 16 metres tall. The structure has a huge height change in between, but in the end, the design concept is still realised. The slope of the curved fioor slab matches the standard division of escape stairs: the whole building's final shape is affected by the slope of an escape stair.

Exhibition Experience

The overall experience of the exhibition is hoped to be unfolded in a way that does not interfere with the topology of the architectural space: the tall space can give people light and empty superhumanscale feeling. Unlike ordinary exhibition spaces,the exhibition design here hopes to scatter some attention to the beautiful outdoor natural landscape and the industrial park, which further reflects the concept of Sunner Group's integration with nature.Therefore, the interior design and exhibition design complete the tour experience in a way that space runs through all parts. We are committed to creating a freer movement between planes and a free tour experience between different elevations, which is more novel and original.

Conclusion

After China experienced reformation, and entrepreneurs have completed the original accumulation of hard work, the new generation of entrepreneurs is facing a more international and forward-looking corporate development direction.They not only pay attention to the struggling spirit but also raise the goal to modern management of the enterprise and a wider international in fiuence,this request demand is increasing. And the deep excavation of firm culture, as well as the respect and enhancement of the surrounding topography and landforms, seems to have become a reasonable way to create a more con fident national culture.

The location we face is full of paradoxes. It is modern, high-tech but also remote, traditional,and natural. The relationship between human and nature not only creates austere entrepreneurship,but also can transform it into modern and brandnew architectural spatial language, which is what we believe.