Zhang Shuangjun serves for the Automatization Institute of Chinese Academy of Science. He has the Senior Artist title， and has spent decades on the integration of oil colors and Chinese freehand brush works. He dedicated himself to the innovation and development of Chinese paintings. It is human nature to prefer colorful images on the painting. From black and white to the colorful， Chinese freehand brush painting must solve the color problem. Only black and white chills the audience. The emotional communications between artworks and the audience shall be enhanced by color； the ability to communicate in artworks is also the watershed dividing techniques and arts.

張雙軍，字心渺，高級(jí)美術(shù)職稱。中國(guó)科學(xué)院自動(dòng)化所職工。研究油畫(huà)色彩與中國(guó)寫(xiě)意畫(huà)之中西合壁法所產(chǎn)生的藝術(shù)形式幾十載。致力于研究探討中國(guó)畫(huà)的創(chuàng)新與發(fā)展。

中國(guó)寫(xiě)意畫(huà)無(wú)論山水、人物、花卉，必須解決色彩。人類的審美取向總是向色彩豐富、賞心悅目發(fā)展的，這是人類的本性。攝影、電影、電視、服裝、建筑等的發(fā)展也是由黑白到色彩，這是必然規(guī)律。技術(shù)與藝術(shù)的分水嶺在于藝術(shù)能感動(dòng)觀者，與之有情感的交流互動(dòng)。單調(diào)的黑白只能使人感到冷寂。