文本刊記者 蒲波 Pu Bo 譯曹宇光Cao Yuguang 圖片由中國(guó)文聯(lián)文藝評(píng)論中心提供

嘉賓與專家學(xué)者合影Group Photo of Distinguished Guests and Experts

第九屆海峽兩岸暨港澳地區(qū)藝術(shù)論壇于8月22日至24日在哈爾濱舉行。此次論壇由中國(guó)文聯(lián)、中國(guó)文藝評(píng)論家協(xié)會(huì)、黑龍江省文聯(lián)主辦，以“文藝評(píng)論與中華文藝的創(chuàng)新發(fā)展”為主題，涉及文學(xué)、戲劇、音樂(lè)、美術(shù)、曲藝、舞蹈、民間文藝、書(shū)法、雜技、電視等多個(gè)藝術(shù)門類。來(lái)自海峽兩岸暨港澳地區(qū)的專家學(xué)者圍繞文藝評(píng)論與文化立場(chǎng)、文藝評(píng)論與中華文化傳統(tǒng)、文藝評(píng)論與中華文化傳播、文藝評(píng)論與中華文化復(fù)興、文藝評(píng)論與網(wǎng)絡(luò)文藝發(fā)展等議題，通過(guò)大會(huì)演講、分論壇等形式暢所欲言，各抒己見(jiàn)，共同為當(dāng)代中華文化藝術(shù)的繁榮與發(fā)展建言獻(xiàn)策。

中國(guó)文聯(lián)副主席郭運(yùn)德、陳振濂，中國(guó)文聯(lián)榮譽(yù)委員劉國(guó)松、施子清，澳門基金會(huì)行政委員會(huì)主席吳志良，黑龍江省委宣傳部副部長(zhǎng)田文媛，黑龍江省文聯(lián)主席傅道彬，中央駐香港聯(lián)絡(luò)辦宣文部副部長(zhǎng)朱挺，中國(guó)文聯(lián)、文化部、中央駐香港聯(lián)絡(luò)辦、中央駐澳門聯(lián)絡(luò)辦有關(guān)部室和香港民政事務(wù)局負(fù)責(zé)人以及海峽兩岸暨港澳地區(qū)的80多位知名文藝評(píng)論家、文藝家和專家學(xué)者出席論壇開(kāi)幕式等相關(guān)活動(dòng)。

郭運(yùn)德在開(kāi)幕式上致辭。他說(shuō)，海峽兩岸暨港澳地區(qū)藝術(shù)論壇在加強(qiáng)和擴(kuò)展海峽兩岸暨港澳地區(qū)文藝領(lǐng)域溝通協(xié)作、積極探索中華文藝發(fā)展規(guī)律、增強(qiáng)民族文化自豪感和自信心、推動(dòng)中華藝術(shù)走向世界等方面產(chǎn)生了積極影響，發(fā)揮了有益作用。論壇不僅成為海峽兩岸暨港澳地區(qū)專家藝術(shù)家交流藝術(shù)創(chuàng)作、深化理論研究與評(píng)論的學(xué)術(shù)平臺(tái)，更成為大家建立情感與友誼、凝聚共識(shí)與愿景的重要紐帶。本屆論壇的主題“文藝評(píng)論與中華文藝的創(chuàng)新發(fā)展”，這是全球化語(yǔ)境下面對(duì)新的時(shí)代挑戰(zhàn)，如何闡述、激活、傳承中華傳統(tǒng)文化，推動(dòng)中華文藝創(chuàng)新發(fā)展的熱點(diǎn)話題，也是文化學(xué)術(shù)研究和文藝?yán)碚撛u(píng)論事業(yè)發(fā)展面臨的前沿性課題。

郭運(yùn)德表示，當(dāng)前，中華民族正在走向偉大的復(fù)興。我們要推動(dòng)中華文化的繁榮發(fā)展，必須在兩個(gè)方面做足功課：一方面，必須追尋歷史，深入闡釋中華文化的歷史淵源、發(fā)展脈絡(luò)和基本走向，深入闡釋中華文化的獨(dú)特創(chuàng)造、價(jià)值理念和鮮明特色，堅(jiān)守中華文化立場(chǎng)，傳承中華文化基因，充分發(fā)揮中華文化的價(jià)值引領(lǐng)能力；另一方面，必須立足現(xiàn)實(shí)，從傳統(tǒng)文化資源寶庫(kù)中汲取更加豐厚的養(yǎng)分，并將之與社會(huì)實(shí)踐和時(shí)代要求結(jié)合起來(lái)，做出更具普適性的文化表達(dá)，進(jìn)行更符合時(shí)代潮流的文化創(chuàng)造，努力推出更多的具有豐厚歷史底蘊(yùn)、展示當(dāng)代中國(guó)風(fēng)貌、體現(xiàn)人類共同命運(yùn)和審美價(jià)值且又能在世界文化園地占有重要位置的標(biāo)志性文化產(chǎn)品。

田文媛說(shuō)，本次論壇為推進(jìn)海峽兩岸暨港澳地區(qū)的文化藝術(shù)交流搭建了新的平臺(tái)，也為黑龍江省的文藝工作和文藝工作者開(kāi)闊了視野、創(chuàng)造了機(jī)遇。文化交流是一把開(kāi)啟心靈的金鑰匙，能讓不同文化背景甚至不同意識(shí)形態(tài)的人互相理解、彼此欣賞。希望此次論壇能夠多出成果，并以此推動(dòng)文藝評(píng)論事業(yè)蓬勃開(kāi)展、推動(dòng)中華文化繁榮興盛。

在論壇上，傅道彬、毛俊輝、朱壽桐、蔣述卓、汪威江、宋生貴、張志慶分別就“文學(xué)批評(píng)的思想家原則”“從世界傳統(tǒng)表演藝術(shù)說(shuō)起”“文學(xué)的批評(píng)本體與文藝批評(píng)的文體間性”“當(dāng)代文藝評(píng)論應(yīng)自覺(jué)與文化傳統(tǒng)構(gòu)成一種對(duì)話關(guān)系”“電視節(jié)目在兩岸關(guān)系中扮演的角色”“中國(guó)當(dāng)代藝術(shù)批評(píng)：增強(qiáng)融入少數(shù)民族文化資源的學(xué)理自覺(jué)”“文化傳承與國(guó)家形象塑造”分享他們的研究心得與成果。

8月23日，汪涌豪、劉國(guó)松、楊春棠、張澤珣、金浩、于文秀、鐘明德、盧偉力分別就“亟待開(kāi)顯的漢語(yǔ)性”“中國(guó)水墨文藝復(fù)興”“白瓷盒與博物館”“文化的跨時(shí)空交流——古絲綢之路上的龜茲石窟彩塑藝術(shù)”“中國(guó)古典舞蹈的當(dāng)代審美鑒賞”“物化時(shí)代的文學(xué)生存——70后、80后女作家創(chuàng)作論”“從藝乘到身體劇場(chǎng)：陶冶提供了一個(gè)討論‘垂直性’的空間”“戲劇分析的中國(guó)學(xué)派問(wèn)題”等主題與與會(huì)專家進(jìn)行深入交流。

8月24日，各藝術(shù)領(lǐng)域?qū)＜揖拖嚓P(guān)議題進(jìn)行分組討論。與會(huì)專家放眼世界藝術(shù)發(fā)展，立足中國(guó)文化立場(chǎng)，從各自所熟悉的領(lǐng)域出發(fā)，站在中華文藝復(fù)興的高度審視和探討文藝評(píng)論與中華文藝的創(chuàng)新發(fā)展，真切地表達(dá)了他們對(duì)中華優(yōu)秀文化藝術(shù)傳統(tǒng)深沉的愛(ài)和無(wú)悔的追求。中國(guó)文聯(lián)文藝評(píng)論中心副主任周由強(qiáng)作論壇總結(jié)，他認(rèn)為本屆論壇取得的最重要的成果，是就文藝評(píng)論與中華文藝發(fā)展創(chuàng)新，形成了不少共識(shí)，為今后一起繼續(xù)探討中華文藝發(fā)展打下了良好的思想情感基礎(chǔ)。這些共識(shí)歸納起來(lái)，就是一句話：“聯(lián)通中外古今，認(rèn)識(shí)我們自己！”

From August 22 till 24, the 9thChinese Art Forum of Mainland, Hong Kong, Macao and Taiwan was held at Harbin. Jointly sponsored by CFLAC, China Literary and Art Critics Association (CLACA) and Heilongjiang Federation of Literary and Art Circles (HFLAC), this Forum, under the theme of “Literary and Art Criticism and Innovative Development of Chinese Literature and Arts”, involves various art disciplines such as literature, theatre, music, fine arts, Quyi, dance, folk arts, calligraphy, acrobatics and TV art. Focusing on such themes as the relationship of literary and art criticism with cultural standing, Chinese cultural tradition, dissemination and rejuvenation, and online literary and art development, experts and scholars from Mainland, Hong Kong, Macao and Taiwan gathered to share their viewpoints through keynote speeches and group discussion so as to make their own contribution to the prosperity of contemporary Chinese culture and arts.

Distinguished guests such as GUO Yunde and CHEN Zhenlian,vice presidents of CFLAC, LIU Guosong and SHI Ziqing, honorary member of the 10thNational Committee of CFLAC, WU Zhiliang,president of Macao Foundation, Tian Wenyuan, deputy director general of Publicity Department of Heilongjiang CPC Committee,FU Daobin, president of HFLAC and ZHU Ting, deputy director general of Publicity and Culture Department of Central Liaison Office in Hong Kong attended the opening ceremony and other events, along with the representatives from CFLAC, Ministry of Culture, Central Liaison Offices in Hong Kong and Macao as well as over 80 well-known experts, scholars, critics and artists.

GUO Yunde delivered a speech at the opening ceremony. As he expressed, in the respect of strengthening communication and coordination in literature and arts across the Straits and between Mainland, Hong Kong and Macao, exploring development principle of Chinese literature and arts, enhancing national pride and self-confidence in culture and promoting Chinese arts into the world arena, this Forum has played a positive role and exerted a beneficial impact. This Forum has become not only an academic platform to exchange artistic creation experience and deepen theoretic research and criticism among experts from different localities of China, but also an important bond to achieve friendship, consensus and common vision. In the context of globalization and in face of new challenges, how to elaborate, revitalize and inherit the traditional Chinese culture,and promote the innovative development of Chinese culture and arts, just as the theme of this Forum indicates, has become a hot issue as well as a pioneering topic in the development course of academic research in culture as well as literary and art criticism.As GUO Yunde stressed, Chinese nation is heading for a great revival and sufficient efforts must be made in the following two fronts so as to ensure the prosperity of Chinese culture. First of all, history must be retrieved to provide a profound elaboration of historical origin, development sequence and tendency, unique creation, values concepts and distinct characters of Chinese culture, to hold fast to the fundamental standing and gene of Chinese culture, and to bring the values of guidance of Chinese culture into full play. On the other hand, the current reality is the very starting point. More nutrition must be absorbed from the traditional treasure of culture and in combination of social practice and times requirement, then conveyed in a universal way.Those cultural creations in times fashion must be realized so as to come up with some milestone Chinese cultural products with in-depth historical connotation, contemporary Chinese expressions, common concerns and aesthetic of humankinds manifestation and significant positions in the global cultural arena.

論壇現(xiàn)場(chǎng)Scene of the Forum

郭動(dòng)德致辭Guo Yunde delivered speech

As TIAN Wenyuan mentioned in her speech, this Forum has established a new platform for cultural and art exchange between Mainland, Hong Kong, Macao and Taiwan as well as broadened vision and provided opportunities for literary and art workers and their cause in Heilongjiang Province. Exchange and mutual reference, as a key motivation for human progress as well as world peace and development, lead to the colorful brilliance of human civilization. As a golden key to open heart and mind,cultural exchange will bring people of different cultural backgrounds and ideologies into mutual understanding and appreciation. More achievement is expected from this Forum so as to facilitate a rapid development of Chinese literary and art criticism cause, and promote the prosperity of Chinese culture.

At this Forum, FU Daobin, MAO Junhui, ZHU Shoutong, JIANG Shuzhuo,WANG Weijiang, SONG Shenggui and ZHANG Zhiqing shared with each other their research achievement on the following topics: “Thinking Principle of Literary Criticism”, “Starting Elaboration from the Traditional-World Performing Arts”, “Relationship of Literary Criticism Subjects and Critical Essay Types”, “Expected Dialogue of Contemporary Literary and Art Criticism and Cultural Tradition”, “The Role of TV Programs in the Relationship across the Straits”, “Contemporary Art Criticism in China: Self-Awareness of Cultural Resources of Minority Nationality to Be Enhanced”and “Cultural Inheritance and National Image Establishment”.

On August 23, such experts as WANG Yonghao, LIU Guosong, YANG Chuntang, ZHANG Zexun, JIN Hao, YU Wenxiu, ZHONG Mingde and LU Weili respectively conducted an in-depth exchanges concerning the following topics: “Necessity of Criticism of Chinese Style”, “Renaissance of Chinese Ink and Brush Art”, “White Porcelain Box and Museum”, “Cultural Exchange across Time and Space—Colorful Sculpture Art of Guizi Grotto at Ancient Silk Road”, “Contemporary Aesthetic Appreciation of Chinese Classical Dance”, “Literary Survival in Material Age—Creation Theory of Women Writers Born in the 1970s and 1980s”, “From Artistry to Body Theatre: TAO Ye Provides for Discussion of ‘Verticality’” and “The Question of Chinese Schools in Theatre Analysis”.

On August 24, starting from their familiar domains and their pride in Chinese culture ,and in full expectation for Chinese cultural and art rejuvenation, all the participants realized serious observations and discussions about the innovative development of literary and art criticism and Chinese culture from the global perspective, and conveyed their profound love and persistent pursuit of traditional Chinese culture and arts. As ZHOU Youqiang, deputy director general of Literary and Art Criticism Center of CFLAC summarized, concerning the main theme, plenty of consensuses have been achieved so as to lay a sound foundation of fraternity for the ongoing discussion of Chinese cultural and art development, which is absolutely the most important outcome of this Forum. In a word, we all need to find self-recognition through communication across time and space.